Jul 122018
 

The Dead Hand #4 – Higgins / Mooney / Bellaire / Cowles  (Image)

This is a hard issue to say much about because it’s mostly absorbed with the plot mechanics necessary for Harriet to finally see who the dead hand is. Higgins smartly inserts the shootout in the spaceplane hangar between scenes of Harriet walking out on her mother and Harriet hiding in the back of the truck, because the logic of the whole thing doesn’t work particularly well. I loved the color work in the shootout, although again the amount of gunplay seems a little high. Nonetheless, the tension is ratcheting up nicely, as the town’s secrets start to get exposed, Roger’s systems begin to fail, and the spies draw nearer.

Exiles #5 – Ahmed / Rodriguez / Lopez / Caramagna (Marvel)

The real draw of this series has been the loopy alternate universes Blink’s team has gone to visit, and the absence of that sense of the bizarre is keenly felt in this arc-capping issue. The Exiles have found the villain who has been eating the multiverse so there’s no time to explore alternate realities. That alone would probably make this my least favorite issue so far, but I also just didn’t care for some of the events. Sabretooth’s cameo should have been skipped, and Khan’s death felt like a box-ticker rather than something supported by the drama or necessitated by the plot. The final assault with an army of Blinks and the pirate crews is great, as is Lil’ Wolvie, but overall I felt this was a weaker issue than the previous four. I’ll look forward to the next issue, when this book gets back to the universe-hopping it does best.

Outpost Zero #1 – McKeever / Tefengki / Beaulieu / Maher (Image)

A sci-fi tale set on a failing human colony on an icy planet that has lost touch with human civilization (if that even exists anymore). The focus of the story is a group of kids who are just about to be pushed into working for the colony. There’s an interesting subtext in that most of them are taking “aptitude tests” but somehow they end up doing the same jobs as their parents. The issue does a good job of drawing the kids and showing their relationships and motivations, except for the blond jerk. It also sets up mystery boxes it doesn’t need and that I frankly don’t care all that much about. That said, it’s got its hooks in me and I’ll be picking up the next issue.

Titans #23 – Abnett / Peterson / Plascencia / Sharpe (DC)

You can blame this on my lingering weakness for Beast Boy, without whom I probably wouldn’t have pulled this issue and despite whom I’m unlikely to pull any more. This new run kicks off with a sort of bare-bones motw that sends the power levels over 9000 to come up with a villain that threatens this multiply-redundant team of powerful heavy hitters. Nightwing has nothing to do this issue other than spar with Miss Martian over the fact that this is his team, consarn it, and he’ll give the orders. Despite having everybody in everybody else’s head thanks to MM’s telepathic link, no other interesting interactions really come up. This book needs to either come up with cool problems or interesting team dynamics and neither of those is in evidence. Without them, there’s just no hook, and considering the art style isn’t my taste, this is a probable drop.

Jan 052018
 

Spoilers, obviously

1. The Last Jedi is a long movie because it has far too much to do, in part on account of the failings of The Force Awakens. The first failing is that TFA ended with Rey handing the lightsaber to Luke rather than setting off to find him: this compels an immediate sequel. That, in turn, requires this story to explain (as TFA doesn’t) why Finn would choose to be a Rebel and confront the First Order rather than following his natural instinct and bolting. TLJ also has to come up with some kind of character development for Poe Dameron, who although part of the “new trio” was given short shrift in TFA. And it has to work all of this into some kind of story about the First Order and Resistance. Worst of all, it has to deal with all of TFA’s mystery-box bull.

2. The film also has to find time for everyone to fail, because its theme is that failure is a critically important teacher. So, Poe has to fail at saving the Raddus and the rest of the fleet, Finn has to fail at both that project and keeping Rey away from the unfolding disaster, and Rey has to fail at turning Ben Solo back to the light side of the Force. Kylo Ren has to fail, too, at confronting and defeating his first master and at turning Rey. And of course, all of this has to be set up, while still finding time for some RAD ACTION SCENES.

3. I have seen some complaints about the Canto Bight sequence and I understand why some people might think it’s irrelevant or a distraction. To me, this ignores two important points. First, this storyline explains why Finn decides to join the fight, to be the “great Resistance hero” he’s been talked up as. Second, it’s one of the few sequences in the film that really works, in that it’s both entertaining and logically consistent throughout.

4. By contrast, the Poe storyline is a complete disaster. The screenwriters evidently know there’s no real reason for Holdo not to explain her plan (or, really, for Poe not to work out what it is) and the screenplay honestly seems embarrassed about the whole thing. Furthermore, it seems that the whole scheme can be easily defeated by a “decloaking scan” which begs two questions. First, why doesn’t the First Order constantly run decloaking scans in this situation? Second, why would Holdo risk the whole rebellion on the chance that they wouldn’t? Poe receives a much-needed humbling in this plot, but the internal logic of it is a wreck.

5. This brings us to Rey and Luke. I have to admit that I find Luke as a bitter old Jedi master entertaining, and Hamill plays this role quite well. However, he’s not recognizably Luke Skywalker, and the idea that Luke would run off to the end of the galaxy to feel sorry for himself really diminishes the character, no matter how awesome his final redemption might be. If you can swallow that Luke really would be this much of a selfish prick then I’m sure it’s fine, but to me it felt like little more than a prominently out-of-character fanfic. I can absolutely see Luke refusing to train Rey, seeing himself as a failure as a master, but I absolutely cannot see him abandoning his friends to danger and death as long as he had any ability to defend them.

6. You cannot cut yourself off from the Force. That is at odds with literally every explanation that is ever given about the Force.

7. Good on Yoda to show up after a decade or whatever to tell Luke that he should learn from his failure. I’m sure everyone is real glad you didn’t do that before the First Order destroyed a whole star system, killed billions of people, and brought a new era of darkness to the galaxy. Bang-up job, Yodester. You really are the one true Jedi master.

8. I’m a little disappointed that Luke never actually makes the sale on why the Jedi order has to end. His best explanation is that they (and he) failed titanically out of hubris, but that’s par for the course in a galaxy where it seems like every single person and droid is terrible at their job. This really should be an easy case to make, though, since the Jedi order was so deeply corrupt they made no effective protest against the creation and slaughter of an army of slaves. The Clone Wars were morally messed up to a degree neither the films nor the television series ever truly dealt with, and they are the mortal sin for which the Jedi and the Republic deserved to die. If Luke had explored this dimension, or the life- and self- denying nature of the Jedi philosophy, I might have bought in.

9. The island episodes have more problems than this, because they are where the film is at its flabbiest. Rey’s scene in the Dark Side cavern is visually very cool but those visuals ultimately don’t convey anything valuable, and her “Dark Side cave lesson” is much less comprehensible than Luke’s on Dagobah. The Rashomon-ing of the story of the moment Ben Solo became Kylo Ren is pointless. I love the scene where Luke milks some weird alien creature and slams that nasty green stuff warm, but it doesn’t serve much purpose in the film and sort of necessitates the following, less-fun scene of Luke catching a giant fish using an absurdly long spear. And, this film is 150 minutes long. Maybe we could have skipped some of this stuff?

10. Some of these scenes would have worked perfectly in a story where Rey spends weeks or months on Luke’s island trying to wear him down. Less so when the timeline is, well, how long is all of this really? It feels like time moves at different speeds in all the storylines. Finn’s story seems to take a day or two, Poe’s story seems like it’s just a few hours, and Rey’s feels like it has to take a week at least. This was, of course, also the case in The Empire Strikes Back, where Luke seemed to have spent a month on Dagobah and Han and Leia seemed to go from Hoth to “I know” in the space of a day or two.

11. It’s true that this film is not as slavish to The Empire Strikes Back as TFA was to A New Hope. At the same time, the basic elements of “would-be Jedi learning from reluctant and irascible old master”, “Dark Side cave”, “our heroes screwing up big time”, “desperate defense on a white-colored planet”, “weird, inscrutable timeline”, and “important new POC supporting character” are repeated.

12. May the Force spare us from a Rey-Finn-Rose love triangle.

13. My favorite thing about TLJ is that it takes a huge steaming dump on all the mystery box things JJ Abrams set up in TFA. I guess some people are disappointed that Luke wasn’t doing anything important, that Rey’s parents are nobodies, and that Snoke is just an ugly man in a bathrobe. Perhaps they believed that something super cool was going to come out of these hooks, despite the fact that JJ Abrams’ mystery boxes invariably contain an ice-cold turd of an answer. A less-satisfying aspect of TLJ is that it makes most of TFA seem worse in retrospect, not least because so many of its problems can be traced back to the previous film. And we get JJ back for Episode IX! I’m sure it will be really satisfying and not have our heroes trying to destroy STARKILLER BASE PART DEUX or whatever.

14. I’m also pleased that literally none of the elaborate ideas people spun out for Rey’s origins were right. Keep in mind that the dynastic Force-family of the Skywalkers is an aberration. Most Jedi came from families of nobodies. It’s good of Star Wars to acknowledge that you don’t have to have a special daddy in order to save the galaxy. Of course, I fully expect JJ to JJ the third installment and reveal her grandparents were Obi-Wan and Plo Koon or something.

15. That said, I genuinely prefer the old SWEU outline to this depressing stuff. It would be nice for the Skywalker line to have a legacy other than trashing the galaxy twice. Luke, in particular, deserves better than what the present canon gives him.

16. It’s worth noting that while the younger generation screw up quite a bit in this film they don’t have a patch on the older crew. Luke’s mistakes get shown in detail, and the whole film is to an extent the result of Leia’s failure to get the Republic to deal with the First Order when it had a chance to. Snoke fails pretty badly, too, but at least we get a pretty good lightsaber fight out of it. Anyway, at a moment when the generational failure of the Boomers has never been more obvious this is an apt story.

17. I don’t think a lot of the movie’s humor works. Too much of it is intentional jokes being told by the screenwriters to the audience, rather than banter that is supposed to be exchanged between actual people. Some of the humor lands but most of it feels like somebody was called in to punch up the script with a couple of laffers.

18. When in doubt, Benicio del Toro gives his supporting character weird diction or strange tics. Or both!

19. TLJ is a pretty good film. It’s too long and some of the plotting doesn’t work, but the performances are good and the action is satisfying, if a little over-the-top. If you don’t have a particularly strong attachment to the original trilogy and its characters this film might even rank as very good. I don’t think it’s as good as any original trilogy film, but it’s better than TFA.

On Her Majesty’s Secret Service

How Good Is It? I’m always struck by how odd On Her Majesty’s Secret Service is. It’s not just that this is George Lazenby’s sole outing as Bond, or the bizarre clinic at Piz Gloria, or the awkward way the film’s two stories bang into each other. The movie consistently feels like it’s trying to […]

You Only Live Twice

How Good Is It? If Goldfinger was the point when Eon Productions realized they could succeed beyond anyone’s wildest dreams by just completely ignoring the Cold War in their spy films, You Only Live Twice was the point when they realized they could actually get away with ignoring all bounds of reality. Roald Dahl wrote […]

Thunderball

How Good Is It? I am consistently unable to remember the existence of Thunderball. Unless I have recently seen it, if asked to list the Connery Bond films I will omit it and it will take me hours or days to figure out what the missing one is. Due to an unusual rights situation it […]